Selected works, 2022-2025.
Judy.
Video, 2025.
Video Pictorialism, a mashup of Caravaggio's Judith and a Youtube Mukbang video.
Applying AI prompting methodology into cinematography.
.
Nessuno in particolare.
With Lorenzo Spacagna, PC, webcam, monitor, printer, 2025.
The computer detects you and assigns a meaning to facial parameters; the printer renders the detected objectivity. You receive a receipt in metadata of your features.
A portrait stripped of any empathetic value, reduced to metrics.
.
Teenage dirtbag.
Wallet, condom, 2024-2025
The work investigates the materialization of intimacy and memory through the procedural sculpting of an everyday object. At the center is a leather wallet, deformed over years of posing with an unused condom inside.
This prolonged condition acts as a slow, performative gesture: time and pressure sculpt the surface as if through a process of positive molding, where absence becomes inscription.
The wallet’s skin assumes the role of a dermis, archiving fragile desires and silent ambitions, and revealing how memory can embed itself materially into personal belongings.
.
Untitled (What's the last word you never heard).
Online media repository, 2025.
A participatory media installation that archives anonymous “last words never heard”.
Submissions arrive via encrypted form as text, with explicit consent.
Only minimal metadata is retained.
.
A ciò che passa, eppure rimane.
Rayograph, 2021-2024.
This work consists of a rayograph made with a condom directly placed on light-sensitive paper.
The process records both the material form of the object and the biological trace it contains, without the mediation of a camera.
Within its contours, seminal fluid disperses into an unexpected figuration: the outline of a heart.
.
Ho comprato il cervello da IKEA, non ho capito come montarlo.
Risograph on Rosaspina paper, IKEA frame, 2023.
This work explores the growing reliance on step-by-step guidance in contemporary life. Logical reasoning often takes a back seat, as we increasingly place our trust in simplified instructions.
IKEA’s assembly diagrams have become iconic symbols of this phenomenon, recognisable, revered, and followed with near-religious faith.
By installing the assembly guide for the frame inside the frame itself, the piece elevates this everyday object to the status of artwork.
The use of risograph printing reinforces the idea of imperfection: its misalignments and inherent unpredictability resist the promise of precision. No set of instructions can guarantee perfection here, only process and play.
.
NO BITCHES.
Book, 2022.
I believe in the importance of having demons and in letting them devour you. In rotting, In consciously choosing not to exorcise them. The anxiety that someone might find out makes me feel alive.
There’s a reason I am the way I am, I want the world to know that.
But I won’t say what the reason is. That’s mine alone. Born from years of introspection and experimentation beyond the boundaries of art, shaped by my personal experiences.
A four-year journey that has now found its closure. October 11, 2018 / October 11, 2022
.
2500 Bigliettini da visita.
2500 Business cards, 2022.
Ants are creatures of instinct: efficient, social, obedient. They follow invisible trails laid down by others, trusting the path without question.
But when the trail goes awry, the group circles endlessly, trapped in a perfect loop. This phenomenon, known as the “death spiral,” is a quiet tragedy.
This installation began with that image. A spiral, made from 2500 of my own business cards, unfolds across the floor.